‘Ballet 422' a drama in dance

For arts, music and dance aficionados, “Ballet 422” is a documentary that will speak (and perhaps sing) to them.

With copious attention to detail, Jody Lee Lipes’ feature records key moments in 25-year-old dance master Justin Peck’s skyrocketing career. In only two months, he must create a fresh piece for the elite New York City Ballet. It’s a task of copious detail, every creative decision a balancing act as the debut draws near.

Will a dance suit cut like a 1950 bathing suit romper make a petite dancer look short-legged? Can a piano refrain stop speeding when it must ease along delicately? How big and bright should the spotlight be?

Luckily, the turmoil is faced by a company utterly lacking prima donnas. It’s not egotism that complicates their teamwork, but Peck’s effort to define each problem’s best solution in a way everyone can support.

Lipes pulls us through the process with skill and treats the subject matter with respect. He films the almost entirely unnamed cast respectfully, never resorting to Hollywood aggrandizement. We’re watching this drama like fascinated flies on the wall.

By the time we reach the opening minute of Peck’s “Paz de la Jolla,” it’s clear why Lincoln Center produces some of America’s finest art.